I took this while my choir was caroling in front of Grace Church last week. I think it’s kinda interesting because I’m shooting it from within the choir, and depending on where I point my camera, you might hear an alto or a tenor, etc. (we don’t sing in sections). In fact, there were no sopranos anywhere near me (I’m a soprano) and I didn’t do so well on the descants as a result. I didn’t remember them so much and I’m pretty sure I hit a few bad notes. (Sorry people who sang nearby me.)
This was the first picture I took on my Christmas Window Display walk. It’s a couple of NYPD guys standing in front of the Apple store on 14th Street holding machine guns.
As I said, not one window blew me away. But this year interactivity was the theme. A lot of the displays involved an interactive element. I wondered if students or alumni of the Interactive Telecommunications Program at NYU (ITP) were involved. They’ve had shows every year for decades featuring work like this.
This was a popular one. It would take your picture, and then people would take pictures of their picture. All I could think about was how poor the quality of the picture of the picture would be.
I had more fun watching people. There were a lot of children but I didn’t get the sense that most of the windows were geared towards children.
I was behind these guys for a while. Adorable.
I liked the windows that did what they normally do, showcase a product.
This was kinda cool, this glittering serpent thing wrapped around the building.
And I always love the Tiffany windows. They’re very small and so you have to come in close, which the window artist uses to create a sense of intimacy. Oh, you can see the serpent thing in the reflection!
I went out to photograph Christmas window displays, but this non-holiday window turned out to be my favorite. I’m sorry to say that not one window out there blew my mind. Not even Barney’s, although I loved the sound effects in one. I’ll post a few of them later in any case. The people viewing the windows are fun to see.
Sorry for the shakey-cam. It’s hard to walk and film without some shaking.
In my book, Imperfect Harmony, I describe the time we sang beside the Christmas tree at the Metropolitan Museum. (Cliff Notes: It was awesome.) I remembered that the angels on the tree were lit from below and they reminded me of ballerinas in a Degas painting. Did I remember correctly? Yes!
Here’s the same shot, pulled back. One more below …
This is the view from where I stood. I had trouble seeing John Maclay, our director, but there was nothing to be done about that. While everyone else in the choir filed in, and the audience found their seats, I was like a little kid chomping at the bit, waiting for Christmas to begin. I couldn’t stand still. “Let’s go, let’s go, let’s GO!” (I am insufferable.)